Il faut réagir maintenant (EP)
30" x 34" in
(75 x 85 cm)
Lithograph printed in 28 colors on a Marinoni machine
Edition of 160 + 30 EP
Last one.
- Year: 2019
- Classification: Limited edition
- Support: Lithography on fine art paper
- Medium:
- Shipped from USA
- Year: 2019
- Classification: Limited edition
- Support: Lithography on fine art paper
- Medium:
- Shipped from USA
About JonOne
Raised in Harlem during the heyday of graffiti art and hip-hop culture, JonOne creates oil on canvas paintings that reflect the culture of freestyle street art. Born John Andrew Perello, JonOne began tagging the streets of New York as a teenager in the early 1980s.
After gaining notoriety and assembling his own tagging crew, JonOne relocated to Paris in the 1980s and began collaborating with the French artist Bando; he also began painting in oil on canvas, a practice that became an important part of his work in subsequent years.
Although removed from the street, his studio work retains the same uninhibited energy as his graffiti-inspired work, boasting boldly colored, stylized calligraphy arranged in allover compositions that reflect the artist’s understanding of both urban walls and the space of the canvas.
Il faut réagir maintenant (EP) by JonOne
30" x 34" in
(75 x 85 cm)
Lithograph printed in 28 colors on a Marinoni machine
Edition of 160 + 30 EP
Last one.
- Year: 2019
- Classification: Limited edition
- Support: Lithography on fine art paper
- Medium:
- Shipped from USA
- Year: 2019
- Classification: Limited edition
- Support: Lithography on fine art paper
- Medium:
- Shipped from USA
About JonOne
Raised in Harlem during the heyday of graffiti art and hip-hop culture, JonOne creates oil on canvas paintings that reflect the culture of freestyle street art. Born John Andrew Perello, JonOne began tagging the streets of New York as a teenager in the early 1980s.
After gaining notoriety and assembling his own tagging crew, JonOne relocated to Paris in the 1980s and began collaborating with the French artist Bando; he also began painting in oil on canvas, a practice that became an important part of his work in subsequent years.
Although removed from the street, his studio work retains the same uninhibited energy as his graffiti-inspired work, boasting boldly colored, stylized calligraphy arranged in allover compositions that reflect the artist’s understanding of both urban walls and the space of the canvas.
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