Winged Genie
36" x 47" in
(91 x 117 cm)
Size: 35.83" in x 46.06" in
Geographic Location: Assyria (present-day Iraq and Syria) (ca. -900/-612 BCE)
The winged genie is an iconic figure in the art and culture of ancient Mesopotamia. Often depicted on sculpted bas-reliefs that adorned the palaces of Assyrian kings, it appears as a human figure with wings, symbolizing its divine or supernatural nature.
These figures were considered protectors, tasked with watching over the king and his realm. Their presence in Assyrian art highlights the importance of religion and spiritual beliefs in this civilization.
The winged genies embodied divine power and protection against evil, reflecting the Assyrians' belief in benevolent supernatural forces that guided and safeguarded them.
- Year: 2024
- Classification: Unique
- Support: Canvas
- Medium: Acrylic
- Shipped from Japan
- Year: 2024
- Classification: Unique
- Support: Canvas
- Medium: Acrylic
- Shipped from Japan
About Geoffrey Bouillot
Geoffrey Bouillot is a French artist born in 1990 in Chalon-sur-Saône (Burgundy, France) who has been based in Tokyo for the past 13 years.
Known for his delicate lines and bold monochromatic works, he blends traditional and contemporary elements to create art that is both timeless and relevant to the present day. His creations, praised for their depth and visual impact, reflect a unique fusion of cultural influences, drawing from his French heritage and the vibrant art scene in Japan.
Bouillot has already gained international recognition, with his works featured in prestigious institutions such as Museum and Foundation. Additionally, he has participated in auctions at Sotheby's, further establishing his presence in the global art market. These achievements mark him as an emerging artist of note, whose minimalist yet powerful work explores universal themes through a contemporary lens.
With exhibitions in Japan and abroad, Bouillot continues to develop a distinctive artistic voice, inviting the public to reconsider the relationship between art, history, and culture.
Winged Genie by Geoffrey Bouillot
36" x 47" in
(91 x 117 cm)
Size: 35.83" in x 46.06" in
Geographic Location: Assyria (present-day Iraq and Syria) (ca. -900/-612 BCE)
The winged genie is an iconic figure in the art and culture of ancient Mesopotamia. Often depicted on sculpted bas-reliefs that adorned the palaces of Assyrian kings, it appears as a human figure with wings, symbolizing its divine or supernatural nature.
These figures were considered protectors, tasked with watching over the king and his realm. Their presence in Assyrian art highlights the importance of religion and spiritual beliefs in this civilization.
The winged genies embodied divine power and protection against evil, reflecting the Assyrians' belief in benevolent supernatural forces that guided and safeguarded them.
- Year: 2024
- Classification: Unique
- Support: Canvas
- Medium: Acrylic
- Shipped from Japan
- Year: 2024
- Classification: Unique
- Support: Canvas
- Medium: Acrylic
- Shipped from Japan
About Geoffrey Bouillot
Geoffrey Bouillot is a French artist born in 1990 in Chalon-sur-Saône (Burgundy, France) who has been based in Tokyo for the past 13 years.
Known for his delicate lines and bold monochromatic works, he blends traditional and contemporary elements to create art that is both timeless and relevant to the present day. His creations, praised for their depth and visual impact, reflect a unique fusion of cultural influences, drawing from his French heritage and the vibrant art scene in Japan.
Bouillot has already gained international recognition, with his works featured in prestigious institutions such as Museum and Foundation. Additionally, he has participated in auctions at Sotheby's, further establishing his presence in the global art market. These achievements mark him as an emerging artist of note, whose minimalist yet powerful work explores universal themes through a contemporary lens.
With exhibitions in Japan and abroad, Bouillot continues to develop a distinctive artistic voice, inviting the public to reconsider the relationship between art, history, and culture.
